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Art Reviews
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By Alidë Kohlhaas
Since the arrival of Peter Oundjian as music
director of the Toronto Symphony Orchestra (TSO), this Toronto institution
has moved in directions it never dared to take before. Think of the
outstanding documentary, Five Days in September: The Rebirth of an
Orchestra that marked the start of Oundjian's first season. A first-rate
camera crew followed Oundjian, the orchestra and guest artists during five
days of rehearsal. The result, an unusual and edifying look behind the scenes
of what makes an orchestra tick. The DVD documentary won numerous awards, and
is still available for purchase.
Oundjian's annual Mozart Festival, starting with Mozart@250,
is now firmly established. It will return in the 2008-9 Season as Mozart@253.
The same can be said of his New Creations Festival. While other music directors
had attempted to bring new works to the attention of the public, they fail where
Oundjian has succeeded with aplomb.
Now, as we see the final
months of the 2007-8 season coming to a close, we can look forward to ever
new ideas from the maestro and his team. With the popularity of opera in
Toronto, Oundjian has decided the TSO is ready to draw on that popularity by
presenting two operas in concert: Berlioz's The Damnation of Faust, and
Mozart's The Magic Flute. We can only applaud.
Not satisfied with the lack of attention given by various
recording companies to Canadian orchestras, Oundjian told an audience of
journalists and TSO supporters at the official launch of the 2008-9 Season that the TSO is
taking a new direction by launching its own label. Called TSOLive, the first
of these CDs will be officially launched on February 26, when the maestro
will be on hand at L'Atelier Grigorian to sign copies. "By producing
these recordings, we are joining the ranks of other major orchestras
around the world in making our music available to a wider audience,"
Oundjian stated. This first
CD, titled Portraits, features two works, Mussorgsky's Pictures at an
Exhibition and Elgar's Enigma Variations. What's more, the cost of the
CD will be less than $15.00. But, the TSO won't stop there. It is making
this CD available as a download from a variety of online music retail
outlets. These are accessible by visiting www.tso.ca. Podcasts have been
available on the site for some time, offering a wide variety of programs,
including Beethoven on Demand, some of which date back to 2006. This is
another innovation that no other previous director had taken advantage of.
It appears that Oundjian and his team are not averse to taking some risks.
As Oundjian pointed out at this official 2008-9 Season launch,
the TSO tries to listen to its audience to come up with innovations that will
suit a variety of audience needs. Hence, the Thursday Matinee concerts, which
are offered at 2:00 p.m., will now be presented without an intermission so people
can get home before the start of the rush hour. One of these matinee's will feature
Measha Brueggergosman with Oundjian conducting.
The TSO will also present a
brand new series in the Masterworks series called Afterworks. It was created
for those who want to sit out the rush hour. These consist of 6:30 p.m.,
intermission-free concerts on several Wednesdays in the coming season, which
will still get the audience home in time for a late dinner. This is an
excellent innovation, which one hopes will be a well-received series so that
in future seasons, it will be increased.
Commissioning composers can
be an expensive venture for orchestras. The TSO's efforts in this direction
has become a vital contributor to new music internationally. To present new
works, the orchestra has now turned to co-commissions from prominent
contemporary composers with some of the most esteemed orchestras around the
globe. In the new season, the TSO will collaborate with the London
Philharmonic Orchestra and the Stockholm Philharmonic Orchestra in a
co-commission of Mark-Anthony Turnage's Mambo, Blues, and Tarantella
written for Christian Tetzlaff. It will be given its North American premiere
in November in Toronto and Ottawa. In April, as part of the New Creations
Festival, the TSO will introduce a Canadian premiere of Jennifer Higdon's
Violin Concerto, which was co-commissioned with the Baltimore Symphony
Orchestra, the Indianapolis Symphony Orchestra, and the Curtis Institute of
Music; the New Creations Festival will also feature a world premiere of Alexina Louie's TSO commission, a concerto for string quartet and
orchestra. Other Canadian premieres include William Bolcom's Violin Concerto
and three pieces by Tan Dun: The Map, and his concertos for piano and pipa.
Mentioning sponsors in a
feature story is not usually done in our publication, but one cannot help
mentioning the new series of Masterworks concerts called Prestige, which
will present some of the finest talents going. Midori, Lang Lang, Emanuel
Ax, Hillary Hahn are just a few in this new series on Wednesdays at 8:00 pm.
Porter Airlines, the little airline that flies out of Toronto Island
Airport, is the series sponsor. But, more importantly, the airline has made
it possible for the TSO to fly to New York to accept an invitation to
perform at Carnegie Hall on October 4, something it has not done in 10
years. The concert presented there will first be performed as a North
American premiere at Roy Thomson Hall on October 1 and 2. Maestro Oundjian
will lead the TSO in a dramatic program featuring Benjamin Yusupov's Viola
Tango Rock Concerto with guest performer, Maxim Vengerov, the
multi-award-winning violinist. This piece, not yet performed on this
continent, was conceived with Vengerov in mind. He will perform the viola,
the electric violin, and dance the tango in this remarkable concerto. The
program in Toronto and New York will also include Shostakovich's Symphony
No. 11, The Year 1905.
Ever sensitive to its
audience, the TSO is very careful how it juxtaposes works by various
composers in its concerts. This reflects in a six percent increase in
subscriptions, as well as in the sale of single tickets, Oundjian pointed
out. "We are very careful how we place [the] repertoire," said the maestro.
"When we do music we have to try to give it context." This is why the TSO
will present a Bartók/Strauss Festival in June 2009. The aim is to show how
the works by the two composers can enhance each other in a way that may not
otherwise be obvious.
In the coming season, more
'Seasonal' concerts will be presented. Jeff Tyzik is fast becoming a
popular conductor with the TSO. He will conduct the orchestra in 'A Very
Merry Pops!' concert with 2 200-voice choir comprised of the Mississauga
Choral Society and the Canadian Children's Opera Company. As always, there
will be an offering of the Messiah. The TSO and the Toronto Mendelssohn
Choir will be led by TMC's artistic director, Noel Edison. Then, there is a
special family screening of Howard Blake's The Snowman, accompanied live by
the TSO, and the every popular vocal comedienne, Mary Lou Fallis, will the
audience in The 12 Days of Christmas, conducted by John Morris Russell.
Two Canadian guest orchestras will be presented as part
of the TSO season. The National Arts Centre Orchestra, led by Pinchas Zukerman,
will offer Beethoven's Fifth Symphony,
and Zukerman, a violinist of considerable renown, will play and conduct
Mozart's Violin Concerto No. 3. Also coming to Toronto will be the
Vancouver Symphony Orchestra led by Bramwell Tovey. It will present music
that ranges from Debussy to the VSO's former composer-in-residence, Jeffrey
Ryan.
In an effort to bring music
to the attention of the next generation of music listeners, the TSO will
devote some Saturday afternoons to children ages five to 12. These
youngsters will not only hear orchestral music, but will see dancers, actors
and other special surprises, whose efforts will make the music come alive
for them in the Young People's Concerts series.
For a more mature audience
of young people, there will be Light Classics Concerts. These will explore
the music of Mozart, Berlioz, Cherubini, Kodály, Brahms and Liszt.
Guest conductors are an important aspect of the TSO's
concert season. In addition to those already mentioned, there will be many
more. Once again, Sir Andrew Davis (TSO music director 1975-88) and the
orchestra's conductor laureate, will lead the TSO in two concerts. Included
in this line-up will be Stravinsky's Symphony in 3 Movements, violinist James
Ehnes performing Tchaikovsky's Violin Concerto, and violinist Leonidas Kavakos
playing Brahms' Violin Concerto.
Günther Herbig, another
former TSO music director, who has returned here almost yearly, will conduct
the rarely performed Mahler's Symphony No. 6. Some of the other returning
guest conductors will be multi-Grammy Award winner, Leonard Slatkin, in a
concert that will feature violinist Gil Shaham; Gary Kulesha will make his
appearance as conductor in the New Creations Festival; Bernard Labadie will
conduct the concert performance of The Magic Flute; Alain Trudel is
scheduled to lead the TSO in Mendelssohn's Reformation Symphony No. 5;
Yannick Nézet-Séguin returns to the TSO with a program of Prokofiev and
Ravel.
New to the TSO will be the Danish-Italian conductor
Giordano Bellincampi, Costa Rican Giancarlo Guerrero, Chinese Xian Zhang,
American Edwin Outwater, Hungarian Gregory Vajda, and two Canadian
conductors: Michelle Mourre and Joey Pietraroia.
Guest performers are always
a huge draw to the TSO concerts. In addition to those mentioned earlier,
there will also be such well known artists in the line-up as Yefim Bronfman,
Radu Lupu, mezzo-soprano Susanne Mentzer, tenor Gregory Kunde, bass Sir
Willard White, cellists Anssi Karttunen and Johannes Moser, violinist Joshua Bell,
pianists Lang Lang, Natasha Paremski and Jeremy Denk.
Among the Canadian artists
to make their debut with the TSO will be sopranos Aline Kutan and Gillian
Keith, mezzo Allyson McHardy, tenors Peter Blanchet and Frédéric Antoun,
baritone Joshua Hopkins, and bass Robert Gleadow. Returning will be soprano
Karina Gauvin, bass-baritone Nathan Berg, violinist James Ehnes, cellist
Shauna Rolston, and pianist Louis Lortie. There will also be concerts that
will feature many of the TSO's principal as soloist performers.
To make the purchase or
exchange of TSO tickets easier, a new Customer Service Centre has been
opened on the first floor of 212 King Street West in Toronto. It is located
immediately opposite Roy Thomson Hall, and is open during regular business
hours. This service center will also act as the Toronto box office for the
Shaw Festival for in-person ticket purchases. Here patrons can also arrange
for accommodations in the Niagara era.

Maestro Peter Oundjian
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click
on this image to hear
him speak in 2007.
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