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Feature Stories

July 2008














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Cover of Out on a Limb

Author Gail Banning

By Alidë Kohlhaas

Gail Banning has two careers neither of which she deliberately chose when she set out to enter the 'job market.' Like many young people she went to university for a general Arts degree, which then failed to produce grand job offers. Unable to find a way to make a living from her academic achievement, she entered law school with no particular specialization in mind. "After law school I articled with an insurance law firm that did not offer me a job, a rejection for which I became lastingly grateful: it was like being jilted at the altar by an incompatible fiancé," Banning told me in an interview conducted via e-mail. "I joined the Provincial Crown to get some criminal trial experience, a goal that was quickly achieved, to put it mildly."

The Vancouver Crown Prosecutor is still at her job some 20-odd-years later. Her choice was not the easiest route to take in the legal profession, because as she soon discovered, "The workload was unbelievable back in those days; on my worst day I had conduct of 12 criminal trials and one of the 12 had 17 witnesses!" She still finds her work presents challenges. "I'll never know it all. Sometimes I love it and sometimes I hate it," she admitted. "I consistently love my colleagues, though, and they have a lot to do with why I'm still here."

Banning, it seems, likes challenges. Writing books for children who are just about to enter the teen years is not an easy task. She did not exactly set out to write her book, Out on a Limb, for the pre-teen plus crowd. It started years ago when her daughter was still very young and told her mother, "Wouldn't it be fun to live in a tree house." This prompted Banning to start a picture book about such a possibility, "but I never finished it. I couldn't finish anything non-essential in those days," Banning stated.

Some years later her daughter asked her what had happened to the tree-house books. "Because I was supposed to be modeling finishing-what-you-start, I had another go at the story, as a chapter book this time, since my kids had grown older." Banning finished the manuscript and "sent it off unsolicited to the publishing world." As is so often the case, she found herself facing publishers who considered the book, but "ultimately rejected it."

Obviously not someone who gives up easily, Banning revised her work after each rejection, "always writing for the ages that my kids were at the time." Fortunately, she managed to find an agent, who placed the book with Key Porter, "and my editor, Linda Pruessen, suggested that I aim for a 12-plus audience, which I was happy to do, because wouldn't you know it, my kids had gotten older still!!"

Banning said she is grateful for the earlier rejections of her book. "Otherwise, Out on a Limb would not have evolved into a book for older kids." Still, she also tried to create a story in its final version that appeals to smaller children, the ones she had originally in mind. "I do think that kids who are too young to read the book themselves would like hearing it read out loud." Having read the book and thoroughly enjoyed it, I can certainly concur with this statement. Out on a Limb is the kind of story that can easily be read to inquisitive youngsters not yet able to read, especially if they have an adventurous mind.

In the story of Out On a Limb a family moves into a large tree house the father inherited. It was built into a giant oak on the grounds of an old mansion that belongs to the estranged great-aunt of the father of two young daughters. Both girls have to adjust to the somewhat uncomfortable living conditions, and also the older of two has to learn a few lessons about friendship, trust, and truth-telling.

Banning who grew up in Burnaby, a suburban town that is somewhat of a bedroom community for Vancouver. "I had a lot of freedom as kids did back then," she explains. "Like Rosie (the older of the two girls in her story), I walked unescorted through woods to school, which was occasionally creepy. I liked hanging around Ceperley Mansion and the adjacent grounds, where the Burnaby Art Gallery is located." It is this mansion that inspired the setting for Grand Oak Manor, the location of Out on a Limb.

Although some of the descriptions of climatic conditions and setting indicate that the story is set in Vancouver, Banning never says so in the story. "I mixed and matched parts of Vancouver for the setting. But I also left out important features of Vancouver, like the ocean and the mountains, because they were irrelevant to the story, and would have been lily-gilding. So it didn't seem quite right to call the setting Vancouver," she wrote back in her e-mail.

What I liked about Out on the Limb is that Banning never talks down to her young readers. I asked her how she achieved this. "I guess I avoided the trap of writing down to young readers by writing for my own smart, ironic kids," she replied.

I had asked Banning what she aimed to achieve with her story. "The first novel I truly loved was From the Mixed Up Files of Mrs Basil E. Frankweiler by E. L. Konigsburg," came her answer. Konigsburg is, of course, the two-time Newbury Medal winner for two of her many children's books. "Until then, I'd never realized that literature could offer that kind of vicarious adventure. That was my hope in writing this story: that it would offer a vicarious adventure."

Konigsburg, by the way gave this advise to would-be writers many years ago: "Finish. The difference between being a writer and being a person of talent is the discipline it takes to apply the seat of your pants to the seat of your chair and finish. Don't talk about doing it. Do it. Finish." Perhaps this is where Banning inadvertently followed in her more famous colleague's steps when she spoke of having to model 'finishing-what-you-start.'

Although there is a type of reconciliation between the inhabitant of the mansion and Rosie's family, Banning avoided a meaningless happy ending to her tale. "I never even considered having the family move in with Great-Great-Aunt Lydia. My whole family hated it when The Boxcar Children got adopted and moved out of the boxcar into the mansion," the author commented. "I don't like an ending where the premise is snatched away. And anyway, I wanted a bittersweet ending for Out on a Limb."

Her motive for writing her children's book was not to get away from the tensions of her work, but she admitted that it was a benefit. "I remember being particularly stricken by an adverse ruling that I received during the final revision of Out on a Limb. After court I told my colleague that I was going to lose myself in my own innocent little fantasy world. I was able to do that."

I wondered whether she would like to write full-time. She replied: "I don't know. I'm used to a certain amount of crisis and time pressure, and I suspect I'd be pretty low-functioning without it. The potential for wasting time kind of scares me." As for future books for either children or perhaps an older age-group, Banning just stated, " We'll see. I'm still at the procrastination stage."

Here is hoping, for our children's sake, that we'll get to read another Banning book a few years hence.

The Feature interview with Michael Clarkson has been moved to Archives


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