Page 6

Book Reviews - Fiction

November 2009


Art Reviews

Books - Non-Fiction

Books - Audio

Books - Children & Youth

DVD - Various

Features

Music - Live

Music - CDs Classical

Music - CDs Light

Theater Reviews

General Arts News

Table of Contents

We
by Yevgeny Zamyatin
Penguin Classics,
paperback, 225
pages, $18.99,
ISBN 0-14-018585-2,
ISBN 978-014018-
585-0

Cover for an English edtion of We

The author & engineer Yevgeny Ivanovich Zimyatin
Yevgeny Ivanovich
Zamyatin
[born Feb.1, 1884
in Lebedyan –
died Mar, 10, 1937
in Paris]

By Lisa Aldridge

Russian-born Yevgeny Zamyatin wrote his satirical, dystopian novel We between 1921 and 1922, but Soviet authorities banned it until 1988, based on its " undesirable ideological content." We was first published in English in 1924 and has since been re-issued numerous times in different translations. The novel deals primarily with the relationship between happiness and freedom, suggesting that they are mutually exclusive.

Set in the 26th Century A.D., Zamyatin's tale is a portrait of life in 'OneState', a totalitarian society in which machine-like 'humans' are identically-dressed, referred to as 'Numbers' and subject to the Table of Hours, a regimented life-schedule that organizes almost every hour of each Number's day.

The writing style is both mathematical and poetic. The story unfolds through a series of short journal entries of Number D-503, an engineer and builder of the INTEGRAL, a glass spaceship that OneState hopes to launch into space to discover (and ideally assimilate) other societies. Since the journal entries are short, the pace of the story moves along quite well. Yet at times, it can be difficult to follow due to D-503's inability to completely form his thoughts, emphasized through erratic entries and unfinished sentences. Though potentially frustrating for readers, this approach provides authenticity to the diary-style method of storytelling.

D-503 keeps a diary as required by OneState, to let future readers know what life is like in a perfect society. What initially starts out as his praise of and devotion to OneState, slowly morphs into confused entries as his psychological state starts to unravel, prompted by his interaction with I-330, the leader of an anti-state revolutionary group called MEPHI. D-503's association with I-330 causes him to think critically about the reality of OneState and in effect he begins to disobey state rules and succumb to I-330's dogma.

D-503's epiphany can also be linked to his diary. This raises an interesting point regarding writing and its relationship to truth or a more genuine understanding of reality. The more D-503 writes, the more he is able to formulate ideas and critically evaluate OneState. Winston Smith in George Orwell's Nineteen Eighty-Four undergoes a similar process of discovery through the written word, emphasizing the importance of writing for the development of knowledge.

The OneState system in We is based on F.W. Taylor's Efficiency Movement, an early 20th Century method developed to improve efficiency in American industrial production. Similar to Taylorism, the goal in OneState is to eliminate waste, with a focus on research, scientific management and problem-solving by experts. Zamyatin takes these principles and pushes them to their logical extreme. The result is an almost completely mechanized human in a clockwork-like workplace.

Zamyatin's We was also influenced by H.G. Wells' A Modern Utopia, which suggests the possibility of an ideal society based on technological advancement. Zamyatin takes this idea and flips it around, illustrating the dangers of a society which emphasizes science over human nature, eradicating as much of the human element as possible.

Although widely described as a dystopian tale, We is not quite a dystopia in the traditional sense. Life in OneState involves the suppression of human rights, yet there is no war, poverty, violence or pervasive unhappiness. It's quite the opposite. Numbers in OneState lead happy, productive lives. This raises one of the novel's central questions: 'can freedom and happiness easily coexist?'

The answer seems to be explained through a speech by the poet, R-13. He says:

"Those two in Paradise, they were offered
a choice: happiness without freedom, or
freedom without happiness, nothing else.
Those idiots chose freedom. And then what?
Then for centuries they were homesick for
the chains. That's why the world was so
miserable, see? They missed the chains.
For ages! And we were the first to hit on
the way to get back to happiness."

What's interesting is that although Zamyatin's point about happiness versus freedom is meant to be satirical, there is real evidence throughout D-503's entries that the more he lets go of his rational, automated 'OneState' self and gives in to his humanistic, freedom-oriented self, the less happy and more distraught he becomes.

Yet, it is unclear exactly how free D-503 really is—or possibly could be—after such severe thought-conditioning. Instead of thinking for himself, there is much evidence to suggest that D-503 has simply shifted his devotion from the Benefactor to I-330. These two characters are perfect antagonists to D-503, and they possess many similar character traits. Just as the Benefactor may be seen as taking advantage of the Numbers, so it remains unclear if I-330 actually has genuine feeling for D-503 or is simply using him for his access to the INTEGRATOR.

D-503's struggle with freedom and irrational thought culminates in a surprising twist near the end of the novel, which sheds doubt on his free-thinking abilities. His actual state may be seen in what is revealed in the final postscript of the novel, which, interestingly enough, occurs after what appears to be D-503's final entry, entitled 'The End."

Reviewer's Note: This work served as a direct inspiration for George Orwell's Nineteen Eighty-Four, and also possibly influenced Aldous Huxley's Brave New World, though Huxley claims never to have read the novel.

Silence by Thomas Perry, Harcourt has been moved to Archives

Stanley Park by Timothy Taylor has been moved to Archives


Page: 01 | 02 | 03 | 04 | 05 | 07 | 08 | 09 | 10 | 11 |

To Top

Back | Next

12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 |
22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 |
32 | 33 | 34 |

Copyright © 2009-10 CamKohl Arts Productions