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The
Nature of Diamonds
is on view at
the ROM
until March 22, 2009






 
 
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By Alidë Kohlhaas
The Nature of Diamonds, a
fascinating, glamorous and enlightening exhibit now on at the Royal Ontario
Museum (ROM) is aptly named. This amazing mineral, despite its popularity— especially among
the adult females of this worldis a gem with an elusive nature. What's
more, despite the song, 'Diamonds are a Girl's Best Friend', the male of the species is
also not immune to the glitter of the diamond
as turbaned heads of former Indian rulers can attest to as can numerous
crowns sitting on or having sat on the heads of European monarchs, as well
as diamond encrusted scepters and other regalia of monarchs, and religious
potentates around the world.
Though now readily available in almost every jewelry store, the diamond
arrives there only after an arduous journey from the interior of the earth,
where it has lain roughly between 140-190 km (90-120 mi) below the
surface of our planet. It is an ancient journey, and even today is shrouded
a little in mystery. Yet, most of us wear our diamond rings with casual
ease, quite unaware of that journey.
Still, not to worry. Be enchanted by the diamonds on display at the ROM,
some of which have such fame and value attached to them that they have to be
housed in a special vault whose doors close tightly at night. But, while
being enchanted, don't forget to look at the displays that reveal the nature of this gem, known as the
hardest mineral on the Mohs scale, the softest being talc.
The first diamonds known to man came from India, where they made their
first impact around the 4th century B.C. It is lost to history
just who made the discovery that this seemingly humble piece of mineral is
harder than any other known material on earth, and when polished turns into
a highly refractive crystal. By the late 18th century the commercial
potential of India's mines became depleted and it was eclipsed by Brazil where
the first non-Indian diamonds were found in 1725. What is even more amazing is
the discovery in 1797 by the English chemist Smithson Tennant that diamonds are
made of carbon. He did so by burning a diamond in an atmosphere of oxygen and finding it
produced only carbon dioxide. Diamonds are, like graphite and charcoal,
allotropes of carbon. Somehow, deep in the interior of the earth such
enormous pressure is put on carbon that it creates diamonds that are then
spewed up to the surface by magma and deposited in funnel-shaped kimberlite
pipes.
The Nature of Diamonds, which was organized by the American Museum of
Natural History, New York, in collaboration with the ROM and three other US
museums, has a Canadian component that is a must-see for anyone visiting
this show. Within just 10 years, Canada has become the third largest
producer of quality diamonds without all of the criminal reputation so
closely linked to this gem. More than any other gem, it attracts not only
those who love its glitter, but also those who wish to satisfy their greed
by amassing great wealth through it, or worse, finance wars with it. But,
that is another tale. The ROM's show is about the what and wherefore of the gem,
its beauty, and its usefulness as an industrial material.
In 1991, the first kimberlite pipe in Canada was discovered at Point
Lake. This was followed by the largest staking rush in Canadian history. The
Ekati mine, located near Lac de Gras, 300 km (186 mi) northeast of
Yellowknife, Northwest Territories, and about 200 km (124 mi) south of the
Arctic circle, officially opened on October 14, 1998, and is operated by BHP
Billiton Diamonds Inc., a part of the BHP Billiton Group, the world's
largest diversified resources company.
The hunt for diamonds in Canada, however, is decades old. De Beers, one
of the sponsors of this exhibit, and the world's leading diamond company, has been at it
for at least 40 years. It opened two diamond mines in Canada this year. Its Snap Lake Mine
is Canada's first underground diamond mine. It is located 220 km (140 mi) northeast of
Yellowknife. The Snap Lake ore body is a 2.5 meter thick dyke that dips an
average of 12-15◦
from the northwest shore down under the lake. It is unlike most diamond-bearing kimberlite deposits which
are shaped like pipes or carrots. DeBeers' Victor Mine is located near Attawapiskat First Nation in
northern Ontario, about 90 km (about 55 mi) from the James Bay coast. This is Ontario's
first diamond mine. To put it into perspective for us southerners, it is
located about 1,070 km (roughly 665 mi)north of Toronto.
In a brief conversation with one of the spokesmen for De Beers attending
the opening, I learned that about 10 percent of all of the De Beers diamonds
mined in this country will be cut and polished here. This is an important
aspect, for it worries many people that this country becomes merely an
exporter of raw diamonds without the benefit of the higher skills related to
the production of this gem.
While there is much folklore about gold and copper among the Native
population of Canada and hence among early European settlers, there is very
little about diamonds. Jacques Cartier's men mined "diamonds" at the mouth
of Rivière du Cap-Rouge in 1541, but their treasure turned out to be
worthless quartz. This episode gave Quebec's Cap Diamant its name, and the
story survives in the saying "faux comme des diamants du Canada" (false as
the diamonds of Canada).
The ROM's exhibition has been
well organized into seven sections, each of which features a different
aspect of the diamond. What is Diamond? takes a look at the diamond
by exploring its physical qualities, which includes hands-on models of the
diamond's molecular structure, and an interactive display that shows the stone's
ability to conduct heat among others.
The Source of Diamonds on Earth offers up how diamonds are moved from
within the Earth to the surface. This display includes rarely seen samples
of diamonds still embedded in kimberlite.
The Historical Galleries section takes a look at the cultural and
historical significance of the mineral. Be informed by the lore and legends
through the ages. It includes medieval jewelry, artifacts and manuscripts
that tell of how diamonds came to Europe from India. It also includes modern
jewelry.
Designer Niki Kovakonis, standing next to a display case that features
her Tip of the Iceberg ring, a 2.78 natural, uncut, rough Canadian diamond
set in palladium. She lifted her hand briefly and showed off another version
of this ring, a 2.83 uncut Canadian diamond with two facets (two peaks) set in white
gold. She explained briefly how difficult it was for her to obtain this
diamond as well as the one on display in a special case in the show.
Her
Tip of the Iceberg rings consist of a series of four, all in private collections.
They were inspired by a visit with her husband to Newfoundland's
iceberg alley. Canadian mining companies, which are tightly controlled,
seldom allow raw diamonds to enter the marketplace. She finally managed to
obtain some from a dealer in the United States who had certified Ekati
stones. As a trained architect, she was inspired for the design of the ring
setting by Frank Lloyd Wright's Fallingwater building that features a cantilevered
balcony. It is truly a magnificent ring.
Toronto-born international architect Frank Gehry is also featured here.
His design is called Diamonds in the Rough necklace, created for
Tiffany & Co. in 2006. It consists of rough diamonds, cultured keshi pearls,
and gauze-like gold mesh that has an unusual elegance and yet, also a casual
air that is highly attractive.
There are many more objects in this section, some wondrous, others on the
gaudy side ranging in age from the 15th century to the present.
How one sees these items all depends on the onlooker's taste in jewelry.
An important section is Diamond Sources and Diamond Exploration and
Mining. It takes a look at different types of mining, and how the
diamond progresses from the mine to the dealer, and finally its use in
industry or as a gem. There is a video included about the Canadian mining
industry that gives quite a bit of information about this country's
involvement in the mining of diamonds. There are also samples of diamond
crystals from around the world, and include stones from the ROM's
own collection of rough and cut stones.
Next comes the walk-in Gem Vault mentioned earlier. Another
Canadian featured in this section is designer Dieter Huebner, who won the De
Beers Diamond International Award for 2000 for his Milky Way necklace. He
explained that it weighs more than a kilo, and consists of 2,000 diamonds
with a combined weight of 67.96 carats suspended in a platinum grid. As he
admitted, it is not really intended as a piece of jewelry, for it is far too
heavy to wear around the neck. Still, it is awe-inspiring in its vision.
The star of the vault is the Incomparable Diamond. This
golden-colored, kite-shaped diamond is the vault's
centrally featured item. This flawless diamond was found in the early
1980s by a young girl as an 890-carat rough diamond among rubble from a
diamond mine in the Democratic Republic of Congo. After much study of the
gem and subsequent cutting it emerged as the 407.48 carat Incomparable
Diamond and 14 other satellite diamonds. It is known as the third largest
cut diamond ever recorded.
Another section is named The Four Cs. This stand for cut, carat,
color and clarity, the standards by which diamonds are judged as gem stones.
Here the visitor can learn all about how a diamond is prepared for trade,
and its transformation into a gemstone via an informative video. It also
offers information on the Kimberley Process Certification Process that was
implemented in 2003 to protect the legitimate trade of diamonds, and
certifies that shipments of rough diamonds crossing a country's
borders are free from conflict diamonds, often referred to as blood
diamonds.
Diamonds in Industry, Science and Technology
is the final section. It enlightens the onlooker about the diamond's
unique qualities that are perfectly suited to uses in industry of various
types. Interestingly, diamonds because of their resistance to becoming wet
make perfect surgical knives. That certainly came as a revelation to me.
This exhibition is vast in scope and I recommend that anyone planning on
visit The Nature of Diamonds sets aside at least two, preferably three hours
for viewing to take it all in. Considering that diamonds are so widely
present in our society, this is an important exhibit to visit at the ROM.
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