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Lancette Arts Journal |
Art Reviews From our Archives |
June 2003 |
Contemporary Ceramics display
features work that changed the craft to an art
By Alidė Kohlhaas
Every art form has special attributes that attract individuals to it. And so it is with ceramic art. While it has form and colour, what often attracts people to this art is a deeper sense of connection to the visceral experience of shaping a lump of clay soil into both functional and decorative objects. Paintings and sculpture often have a monumental impact on the viewer, and at the same time, they are distant and unapproachable. Not ceramic objects. They have, for the most part, an intimate nature; something we can hold, something we live with daily, whether it is in the form of a jug, a plate, a vase or a figurine on a shelf.
At the Gardiner Museum of Ceramic Art a new exhibition opened this week (June 18) that consists of pieces of modern ceramics, i.e. works that are less than a hundred years old, but especially works created after 1950. Called Life Taking Shape: Ceramics from the Aaron Milrad Collection, they were collected by a Toronto lawyer, who during his student days took night classes in pottery at the Ontario College of Art. While he made arts and cultural law his career, ceramics became his passion. In 1999, . . .
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